Brutus tells Cassius to act while everything is going his way, or be left with nothing but regrets.
Brutus, Caesar’s assassin, is urging Cassius to march on Philippi to meet Octavius (Octavian) and Anthony in the struggle for power in Rome. Cassius is reluctant, but Brutus argues that it must be now or never.
After the murder of King Duncan, Lady Macbeth is alarmed to see her husband losing his grip on reality.
Macbeth has stabbed Duncan, King of Scots, as he lay in his bed, hoping to give a little assistance to a witch’s prophesy that he would one day be King. Both Macbeth and his wife, who is the driving force behind the plot, are understandably jittery; but it soon becomes clear to the ever-competent Lady Macbeth that her husband is losing his grip.
With King John dead and the threat of invasion fading, Philip Faulconbridge reflects that the danger within is always greater than the danger without.
At the end of William Shakespeare’s play The Life and Death of King John, written in about 1594-96, the King has just died an untimely death; with him has died the threat of a French invasion, and John’s heir Henry has returned home to England to assume the crown. Henry’s cousin Philip Faulconbridge heaves a sigh of relief, and draws an optimistic moral from all that has gone before.
Rosalind explains to Orlando that Time moves at different paces depending on who you are.
William Shakespeare’s As You Like It is believed to be the play that opened the New Globe theatre in 1599. After Frederick usurped the throne of his brother Duke Senior (so the story goes) he exiled his own daughter Rosalind for disobedience. Disguised as a boy, Rosalind fled to the Forest of Arden only to run into a long-time admirer, Orlando. To hide her confusion, and still incognito, she accosts him ‘like a saucy lackey’.
The scheming Iago warns Othello against falling victim to jealousy.
Othello, a General in the Venetian army, has promoted Cassio to Lieutenant instead of Iago; in revenge, Iago has hinted at an intrigue between Cassio and Desdemona, Othello’s wife. Othello is beside himself to hear more, but Iago teasingly clams up, as if worried about Cassio’s reputation.
Viola tries to tell Orsino, Duke of Illyria, that his beloved Olivia is not the only woman deserving of his attention.
Viola is pretending to be Cesario, a page-boy in the court of Orsino, Duke of Illyria. The Duke uses her as a go-between in his courtship of Olivia, but Viola has fallen in love with Orsino herself, and tries without success to interest him in the possibility of a rival.
John of Gaunt watches in despair as his country is milked for its wealth and shared out among the king’s favourites.
It is 1399, and for two years King Richard II has (in addition to legalised murder) been levying extortionate rents on the property of his opponents, and handing out grace-and-favour homes to his cronies. As John of Gaunt lies dying, he charges his nephew with being ‘landlord of England, not king’.