Passages in Early Modern English
Posts in The Copybook tagged ‘Passages in Early Modern English’
William Shakespeare immortalised his lover in verse, as if holding back for ever the ravages of Time.
Without question, William Shakespeare’s Sonnet 18 is one of the best known and most beloved poems in the English language. William immortalises his lover in verse, saying that though beauty must pass away all too soon, she and her loveliness will live on in his lines as long as there are men to read them.
William Shakespeare recalls how the love of his life once teased him to the brink of despair.
This Sonnet is held to be one of William Shakespeare’s earlier works, owing in part to its relatively simple form. However, keen-eyed observers have noted that the husband of Anne Hathaway seems to have buried some tender-hearted little clues in the closing lines.
Literary rumour in the time of Queen Anne said that William Shakespeare owed his extraordinary career to a scurrilous ballad.
The tale of how bad-boy William Shakespeare was chased out of Warwickshire for his scurrilous verses only to find immortality on the London stage is enduringly popular, though modern scholars are sceptical at best. The following account comes from Shakespeare scholar and Poet Laureate Nicholas Rowe (1674-1718).
The scheming Iago warns Othello against falling victim to jealousy.
Othello, a General in the Venetian army, has promoted Cassio to Lieutenant instead of Iago; in revenge, Iago has hinted at an intrigue between Cassio and Desdemona, Othello’s wife. Othello is beside himself to hear more, but Iago teasingly clams up, as if worried about Cassio’s reputation.
Viola tries to tell Orsino, Duke of Illyria, that his beloved Olivia is not the only woman deserving of his attention.
Viola is pretending to be Cesario, a page-boy in the court of Orsino, Duke of Illyria. The Duke uses her as a go-between in his courtship of Olivia, but Viola has fallen in love with Orsino herself, and tries without success to interest him in the possibility of a rival.
Sir James Melville eavesdrops on Queen Elizabeth I’s music practice, and incurs Her Majesty’s displeasure.
In 1564, Mary Queen of Scots had recently returned to Edinburgh after the death of her husband King Francis II of France. Meanwhile down in London, her cousin Queen Elizabeth I kept asking Mary’s visiting courtier, Sir James Melville, which of the two Queens was the taller, the prettier, and the more musical?