A Glide Into the Future

“Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don’t want to waste this model, and then be told I’m a quack.”

There was a minute’s pause perhaps. The Psychologist seemed about to speak to me, but changed his mind. Then the Time Traveller put forth his finger towards the lever. “No,” he said suddenly. “Lend me your hand.”

And turning to the Psychologist, he took that individual’s hand in his own and told him to put out his forefinger. So that it was the Psychologist himself who sent forth the model Time Machine on its interminable voyage. We all saw the lever turn. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone — vanished! Save for the lamp the table was bare.

Everyone was silent for a minute. Then Filby said he was damned.

From ‘The Time Machine’ (1895) by H.G. Wells (1866-1946).
Précis
Their host asks the company to acknowledge that there can be no sleight-of-hand, and then invites one of his guests to press the lever that will send the machine into the future. With no more than a stirring of air, the little model slowly spins and fades to nothing before their eyes, leaving them lost for words.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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