A Little Savoir Faire

‘My dear Lord,’ began Lord Odo, ‘a dreadful rumour has reached us.’

‘Indeed! Pray, what is it?’

‘We have heard that you intend to open the proceedings tomorrow in French.’

‘Well, Lord Odo, what of that?’

‘Why, of course, we all know that there is no one in Europe more competent to do so than yourself. But then, after all, to make a speech in French is a commonplace accomplishment. There will be at least half a dozen men at the Congress who could do it almost, if not quite, as well as yourself. But, on the other hand, who but you can make an English speech? All these Plenipotentiaries have come from the various Courts of Europe expecting the greatest intellectual treat of their lives in hearing English spoken by its greatest living master.* The question for you, my dear Lord, is — will you disappoint them?’

Lord Beaconsfield put his glass in his eye, fixed his gaze on Lord Odo, and then said: ‘There is much force in what you say. I will consider the point.’ And the next day he opened the proceedings in English.

From ‘Collections and Recollections’ (1903) by George W. E. Russell (1853-1919).

* An exaggeration of course, in the age of Anthony Trollope, George Eliot (Mary Ann Evans) and Thomas Hardy, but not entirely empty flattery. Disraeli’s father Isaac was an acknowledged man of letters, and Benjamin himself had published fifteen well-regarded novels (his sixteenth and last would appear in 1880), a volume of poetry, a play, and a handful of non-fiction works. His speaking skills had required some work, however: see As Good as his Word.

Précis
Lord Odo made his approach just as the Prime Minister was retiring, saying that he hoped Lord Beaconsfield would not disappoint the gathered ministers of state by speaking in French, when to a man they were looking forward to hearing English spoken as few even in England can speak it. Flattered, the Prime Minister complied.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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