An Eye for Detail

“SURELY,” answered Holmes, “it is not hard to say that a man with that bearing, expression of authority, and sunbaked skin, is a soldier, is more than a private, and is not long from India.”

“That he has not left the service long is shown by his still wearing his ammunition boots,” observed Mycroft.

“He had not the cavalry stride, yet he wore his hat on one side, as is shown by the lighter skin of that side of his brow. His weight is against his being a sapper. He is in the artillery.”

“Then, of course, his complete mourning shows that he has lost some one very dear. The fact that he is doing his own shopping looks as though it were his wife. He has been buying things for children, you perceive. There is a rattle, which shows that one of them is very young. The fact that he has a picture-book under his arm shows that there is another child to be thought of.”

I began to understand what my friend meant when he said that his brother possessed even keener faculties than he did himself.

From ‘The Memoirs of Sherlock Holmes’, by Sir Arthur Conan Doyle.
Précis
Watson’s scepticism vanished after Sherlock and his brother painstakingly explained how they had deduced so much about the widowed soldier from India; and the doctor not only gained a new respect for his friend Sherlock’s extraordinary powers, but began to credit his claim that Mycroft might possess them to a yet greater degree.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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