IN the autumn of 1859 the whole country was startled on hearing that ‘John Brown of Osawatomie’ had made a raid into Virginia, seized the government buildings at Harper’s Ferry,* and attempted to liberate the slaves in that vicinity. John Brown’s whole band consisted of only about twenty men, partly whites and partly negroes. After hard fighting, he was captured, with six of his companions, and hanged at Charlestown, Virginia. On the day of his execution, he handed this paper to one of his guards: “I, John Brown, am now quite certain that the crimes of this guilty land will never be purged away but with blood.” Within a year and a half from the day of his death, the North and the South were at war with each other, and a Northern regiment on its way to the contest was singing,
“John Brown’s body lies a-mouldering in the grave,
But his soul is marching on.”*
Harper’s Ferry, now in West Virginia, was at that time in Virginia as the State had not yet be split by the war. Brown’s target was the Federal Armory, and the weapons it contained. The raid was carried out on 16th-18th October, 1859.
According to John Kimball, an eyewitness writing for The New England magazine (New Series) Volume 1 (1889-1890), the song was originally a comic song of improvised lines culminating triumphantly in “John Brown’s body lies a-mouldering in the grave, / His soul’s marching on,” or sometimes “He’s gone to be a soldier in the army of the Lord / His soul’s marching on.” As the lyrics were generally boisterous, more decorous words were later substituted to fit the rousing melody (an old Methodist tune for the hymn ‘Say brothers, will you meet us?’). The most famous substitution is surely The Battle-hymn of the Republic published in 1862 by abolitionist Julia Ward Howe, which opens with ‘Mine eyes have seen the glory of the coming of the Lord.’