Playing with Fire

ALL that can be done is to implore them, from Mr Buckle downwards,* to remember their responsibility, and to endeavour to make them see the lurid glare of the peasant’s burning homestead behind the glitter of their rhetorical incitations, and to hear the agonised wail of the homeless child as the echo of their bellicose rhetoric.

We in England are apt to forget, snugly ensconced in our coign of vantage behind the silver streak,* that others are more sensitive than ourselves, and that the small boy who halloos his comrades on to fight by alternate gibes and encouragement, while he stays out of harm’s way up a tree, is not exactly the exemplar who should be followed by those who essay to speak in the name of England for civilisation and for peace.*

From ‘The Truth about Russia’ (1888) by William Stead (1849-1912).

George Earle Buckle (1854-1935), who in 1884 was appointed editor of the ‘Times’ when aged just twenty-nine. After resigning in 1911, he published a biography of Benjamin Disraeli and edited a collection of the letters of Queen Victoria.

The White Cliffs of Dover.

Stead was particularly enraged by the way that the British Government encouraged Russia to pursue the liberation of Bulgaria from the Ottoman Empire and then, on the eve of peaceful success, switched sides, plunging Russia and the Balkans into unnecessary war. It was such diplomatic sleight-of-hand and national self-interest that led Stead to lose faith in the British Empire as a global policeman.

Précis
Stead’s solution to the dangers of journalistic war-mongering was to remind editors of their moral obligations, and urge them to come down from their clouds of oratory and think about the day-to-day realities of war for ordinary people. Letting loose war knowing one will not be touched by it, he added, gives a poor impression of British society.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

How did Stead propose to deal with the problem of incendiary journalism?

Suggestion

By reminding newsmen of their moral obligations.

Jigsaws

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

The press should not be censored by Government. Editors should be careful what they publish. This was William Stead’s view.

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