The Dilemma

Then after another week, man came again to him, and said: Lord, I find that my life is very lonely since I gave you back that creature. I remember how she used to dance and sing to me, and look at me out of the corner of her eye, and play with me, and cling to me; and her laughter was music, and she was beautiful to look at, and soft to touch: so give her back to me again. So Twashtri said: Very well: and gave her back again.

Then after only three days, man came back to him again, and said: Lord, I know not how it is; but after all, I have come to the conclusion that she is more of a trouble than a pleasure to me: so please take her back again. But Twashtri said: Out on you! Be off! I will have no more of this. You must manage how you can. Then man said: But I cannot live with her. And Twashtri replied: Neither could you live without her. And he turned his back on man, and went on with his work. Then man said: What is to be done? for I cannot live either with or without her.*

From ‘A Digit of the Moon’ (1898) by Francis William Bain (1863-1940).

“The very echo of Martial” noted Bain helpfully, leaving breadcrumbs to the Western classics. Martial (AD ?38-?103) was a poet from what is now Spain, known for his epigrams, such as this ‘on a friend’: “You are at once morose and agreeable, pleasing and repulsive. I can neither live with you, nor without you.”

Précis
After a lonely week, Man began to regret resigning Woman to her maker. Twashtri obligingly restored his gift; yet barely three days later Man returned, full of his old complaints. This time Twashtri angrily refused to take Woman back, and Man was left to reflect at leisure that he could neither live with Woman nor live without her.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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