Bible and Saints
Posts in The Copybook tagged ‘Bible and Saints’
Shortly before Easter, an ivory box went missing from the gifts presented at the shrine of St Cuthbert.
Reginald (?-?1190) was a monk of Durham Priory where St Cuthbert, the seventh-century Bishop of Lindisfarne, lay buried behind the High Altar. Pilgrims came from all over the country with stories of the saint’s miraculous interventions, and Reginald compiled a catalogue of them, and of the miracles reported at Cuthbert’s shrine. Some he witnessed with his own eyes, such as this one.
When the capital of the Roman Empire was in the grip of a violent earthquake, it fell to one small child to save all the people.
According to tradition, the Trisagion or Thrice-Holy Hymn was revealed by angels one September 24th during the tenure of Patriarch Proclus of Constantinople (434-446). Some thirty years later Peter, the abrasive Patriarch of Antioch and a former fuller by trade, took it upon himself to add an extra line. Three centuries after that John Damascene was still upset about it.
The politicians of Novgorod, angry at Moscow’s interference, thought they would teach her a lesson by selling out to Poland.
In 1471, even as England was being torn apart by the Wars of the Roses, the little republic of Novgorod was rent by its own bitter divisions. The meddling of upstart Moscow in their historic city had become insupportable, and many in the Veche, Novgorod’s civic Council, cried that independence could be achieved only by submission to the King of Poland.
Luka had netted a nice little haul of stolen coins and antiques, but he could not resist stripping down the historic Icon of the Sign too.
The ‘Virgin of the Sign’ is a twelfth-century icon of the Virgin Mary kept to this day in Great Novgorod, Russia — the ‘sign’ refers to the promise made by the prophet Isaiah to King Ahaz, that one day a virgin would conceive and bear a son. In 1170 the icon saved the city from a siege, and a special church was built for it, but it would seem that by the seventeenth century the mystique was beginning to wear off.
The Tilers and Thatchers of fourteenth-century York tell how Joseph and Mary fared after they were turned away by the innkeepers of Bethlehem.
From at least the 1370s, a series of pageants was put on in the city of York for Corpus Christi, a summertime Church festival dedicated to the Eucharist. Dramatising the life of Jesus Christ, the plays were performed by members of the Guilds of skilled trades or ‘mysteries’ (hence ‘mystery plays’). The Nativity fell to the Tilers and Thatchers, who began with Joseph and Mary trying to settle into a tumbledown Bethlehem stable.
While Joseph is away trying to find light for the darksome stable, Mary brings into the world the Light of everlasting Day.
The Tilers and Thatchers of fourteenth-century York continue their Nativity play, with Mary alone in the ramshackle Bethlehem stable — Joseph her betrothed guardian has gone out into the cold night air to find some light. She is praising God, and awaiting the birth of the miraculous child foretold to her by the archangel Gabriel nine months ago in Nazareth.