Classical History
Posts in The Copybook tagged ‘Classical History’
When Julius Caesar defied the Senate’s explicit order to resign his military command, he knew there could be no turning back.
Success in the Gallic Wars (58-51 BC) made Julius Caesar, the great Roman general, a popular hero to the Republic. His bitter rival in the Senate, Pompey, found him increasingly difficult to handle, but on January 1st, 49 BC, Pompey managed to get the Senate to overrule the tribune Gaius Scribonius Curio, who had been blocking him at every turn, and require that Caesar lay down his military command.
Sensing that the Great Fire of Rome in 64 (though entertaining) was damaging his public image, the Emperor Nero looked around for someone to blame.
In 64, a terrible fire swept Rome, and in little over a week two thirds of the city had been destroyed. The whole spectacle had been watched with fascination by the Emperor Nero, from a place of safety of course, strumming on his harp as he sang an epic lay of his own about the Fall of Troy. There were those who said that the whole catastrophe had been Nero’s idea of performance art.
When Archimedes discovered the principle of displacement, he was hot on the trail of a clever fraud.
Hiero II (?308 BC – 215 BC), ruler of Syracuse in Sicily (an ancient Greek colony), made a present of a golden crown to a temple in honour of the gods. The crown was commissioned and duly delivered, but Hiero suspected that the craftsman had kept some of the gold and mixed in some lesser metal. So he turned to a relative of his, the mathematican Archimedes, and asked him to do some detective work.
In 64, Nero watched on with fascination as Rome was consumed by fire — the Emperor’s idea of performance art.
The expression ‘fiddling while Rome burns’ is used today of those who are idle in a crisis. It derives from the Great Fire of Rome in 64, during the reign of Emperor Nero, though the Emperor did not ‘fiddle’ (play the violin) while a week-long fire consumed two-thirds of the imperial capital, nor was he exactly idle. No indeed: he dressed up and sang a musical melodrama he had composed himself.
Demosthenes was about sixteen when he decided he wanted to be a lawyer, but he was the most unpromising advocate imaginable.
Demosthenes (384-322 BC), the Athenian, is a household name for his eloquence, but brilliance came by labour. When he began his legal career, his weak and stuttering voice, poor breath control, gawky gestures and muddled sentences caused much amusement among seasoned advocates. Then one day he bumped into an actor named Satyrus, who had him repeat a few lines from Euripides.
Plutarch tells us how Alexander the Great came to bond with Bucephalus, the mighty stallion that bore him to so many victories.
Plutarch’s Parallel Lives, probably written early in the second century, compares the characters of various great men of classical Greece and Rome. Among them is Alexander the Great, the young King of Macedon who in the latter part of the fourth century BC conquered cities and peoples from Egypt to India. His horse was Bucephalus, a mighty stallion that took some conquering too.