Believe Me

Your child is now eight years old; make him acquainted with the Gospel, teach him to believe in God, and that in the most orthodox fashion. This is a sine qua non; otherwise you can’t make a fine human being out of your child, but at best a sufferer, and at worst — a careless lethargic ‘success’, which is a still more deplorable fate. You will never find anything better than the Saviour anywhere, believe me.

Suppose now that your child at sixteen or seventeen (after some intercourse with corrupted school-friends) comes to you or to its father, and puts this question: “Why am I to love you, and why do you represent it as my duty?” Believe me: no sort of questions or knowledge will help you then; you won’t be able to give any answer. Therefore it is that you must try to act so that it will never once occur to your child to come to you with that question. But that will be possible only if your child is attached to you by such love as would prevent such a question from ever coming into its head; true, that at school such views may be for a while your child’s, but you will find it easy to separate the false from the true. And even if you should really have to listen to that question, you will be able to answer with just a smile, and quietly go on doing well.

From ‘Letters of Fyodor Michailovitch Dostoevsky to his Family and Friends’ (?1914), by Fyodor Dostoyevsky (1821-1881), edited and translated by Alexander Eliasberg (1878-1924) and Ethel Colburn Mayne (?-1941).

Précis
Dostoevsky urged the anxious mother to raise her son in the Russian Church, as a fine Christian man is far superior to a so-called success. A boy from a home environment such as he had described would never question his duty to his parents, and if bad company misled him, his mother’s smile alone would bring him back.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What did Dostoevsky think the Russian Church could do for his correspondent’s son?

Suggestion

Mould him into a fine human being.

Jigsaws

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

He says hurtful things. He doesn’t mean them. His friends are responsible.

See if you can include one or more of these words in your answer.

IBlame. IITeach. IIIWound.

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