False Unity

IT was a world self-satisfied without contentment, a world in which material prosperity was no index to happiness. Mankind was drifting into jealous cliques, while every day their economic bonds became more subtly interlinked;* and, since this situation could not endure, it was certain that some form of unity, false or true, would soon be inevitable.

Such a unity might follow upon a new faith in the brotherhood of man, but, in the decadence of the great constructive ideals of politics and religion, it was hard to see how this faith could be born. Or it might come from the materialist reconstruction of life, of which communists dreamed, when men would be universally brigaded not by nations but by classes, and an international proletariat would call the tune. Or, lastly, it might arise if a single Power should establish a world-wide hegemony and impose its rule and its culture upon the subservient peoples.

This book is the record of a calamity which shattered the world's complacency and enabled men to look into their hearts. From the malaise I have described no nation was free, but it was fated that one strong Power should exhibit it in so monstrous a form that humanity shuddered and drew back from conclusions which all peoples had toyed with but only one had dared to accept.

From ‘A History of the Great War’ Volume 1 (1923) by John Buchan.

* Buchan describes this jealousy in terms very similar to those employed by David Hume, in The Jealousy of Trade. As Hume explained, prosperity in other countries should please us: it means their peoples can be our customers and our friends, rather than our enemies or beggars reduced to pleading for aid.

Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Read Next

The Emperor’s New Clothes

A telling satire on fashionable thinking among the elite.

The Two Shakespeares

Arthur Clutton-Brock complained that idealising Shakespeare had made him dull.

The First Easter

In a translation from the Authorized Version of the Bible, published in 1611, St Mark recounts the discovery of Christ’s empty tomb.