A Perfect Combination of Imperfections

Jane Eyre meets a not very handsome stranger, and likes him all the better for it.

1847

Introduction

On a dark road near Thornfield Hall, Jane Eyre has caused a stranger’s horse to shy and throw its rider, a big, frowning and far from good-looking man. He brushes her offers of help away, but she hangs around all the same, prompting her to wonder why she feels so comfortable with this gruff traveller.

HAD he been a handsome, heroic-looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic.

If even this stranger had smiled and been good-humoured to me when I addressed him; if he had put off my offer of assistance gaily and with thanks, I should have gone on my way and not felt any vocation to renew inquiries: but the frown, the roughness of the traveller, set me at my ease.*

From ‘Jane Eyre’, by Charlotte Brontë

Compare Marianne Dashwood’s first encounter with Mr Willoughby in Jane Austen’s ‘Sense and Sensibility’, in Swept off her Feet.

Précis
Jane Eyre feels strangely comfortable in the company of a gruff gentleman injured on the road, and wonders why she feels so uncharacteristically inclined to offer him help despite his repeated refusals. She concludes that had he been handsome and courteous, she would have felt shy and out-of-place, whereas she felt that she belonged with plain looks and plain speaking.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate her ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What experience did Jane have of dealing with handsome young gentlemen?

Suggestion

She had never even spoken to one.

Jigsaws

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

Jane went for a walk at night. She accidentally knocked a man off his horse. He sprained his ankle.

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