‘My Shadow’

An enduringly popular poem by the author of ‘Treasure Island’.

1885

© Adam Ward, Geograph. Licence: CC-BY-SA 2.0.

The photographer’s shadow in the River Almond, just before it flows into the Firth of Forth near Edinburgh.

Introduction

Robert Louis Stevenson, better known today for ‘Treasure Island’ and ‘Strange Case of Dr Jekyll and Mr Hyde’, first published ‘A Child’s Garden of Verses’ in 1885. He uses simple rhymes and a ‘rum-ti-tum’ rhythm to create a sense of childhood innocence, though he does not by any means romanticise childhood, and many poems in the set are tinged with sorrow.

My Shadow

I HAVE a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow —
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward, you can see;
I’d think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

From ‘Poems Every Child Should Know’, compiled by Mary Burt.
Précis
Stevenson writes in the manner of a child, wondering at the shadow that follows him everywhere, changing shape bewilderingly and giving him away in hide-and-seek. But one morning he awoke and went out just before daybreak, and this time his shadow did not follow him.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What does the child’s shadow always get into bed before him?

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