The Music of Silence

In Coleridge’s epic poem, the Ancient Mariner, amid the horrors of a ship of dead men, sees a sight both beautiful and surreal.

1798

Introduction

The Ancient Mariner has wantonly killed an albatross, and brought death and destruction on his ship. Surrounded now by the dead bodies of the crew, a new and ghostly sight meets his eyes.

EACH corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but O, the silence sank
Like music on my heart.

From The Rime of the Ancient Mariner, by Samuel Taylor Coleridge (1772-1834).
Précis
Coleridge’s ancient Mariner sees angels or spirits rise on the dead bodies of the ship’s crew. The vision is eerie, but it is nevertheless beautiful. The spirits do not fill him with terror: their wordless salute moves him deeply, as if it had been heavenly music.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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