WHEN St Augustine preached
Christianity to King Ethelbert of Kent in 597, he carried a silver
cross and a painted icon of Christ. A century later, icons were
putting a human face to the spoken word up in Bede’s Northumbria, from
church walls to the pages of the Lindisfarne Gospels.*
But in 730, Roman Emperor Leo III was faring badly against the
Muslim caliph in Syria, and some among his counsellors put the blame
on icons. Did not God always abandon the Kings of Israel when they
made images and bowed down to them? Even as Bede sang unmolested
before the icons in Ceolwulf’s Northumbria, in Leo’s Constantinople
soldiers were raiding churches and private homes, tearing down icons
and scrubbing away frescoes, punishing resistance with the sword.*
It was John of Damascus, a monk of the St Sabbas monastery near
Jerusalem, who led the fightback.* John’s mastery of music, science
and Scripture rivalled even Bede’s, and as Jerusalem was in Muslim
hands, Leo could not touch him.